2. Pro Audio
3. Wireless Mic Systems
4. Personal Monitoring Systems
5. ATM2L

Audio Technica Wireless In-Ear Monitor System (L)

The M2 Wireless In-Ear Monitor System is designed to make professional in-ear monitoring features accessible for performers who want to be free from the problems associated with floor wedges. Band L: 575.000 to 608.000 MHz, 100 frequencies

Features

• High-fidelity sound with clean, articulate mix allows you to hear yourself better at lower volume • 100 selectable UHF channels • Up to 10 simultaneous systems per frequency band • Three receiver modes: Personal Mix, stereo, and mono • Personal Mix Control allows volume and mix control of two independent signals at the receiver • 3.5 mm line-in jack connects to ambient microphone, click track & more • LED indicators provide easy-to-read level monitoring • XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation • Adjustable squelch eliminates annoying static

• Pilot tone protects against RF interference when the transmitter is turned off • Limiter (defeatable) helps protect your hearing from sudden peaks • Portable system is quick to load and set up • Reduces on-stage audio clutter for better overall mix & less feedback • Use any number of M2R Stereo Receivers (with Personal Mix Control) on the same frequency • Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation • Personal fit with 3 sizes of rubber eartips plus an ear-conforming foam tip • Auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level input.

Details

The stereo monitor system offers Personal Mix Control, which gives each musician volume and mix control of two independent signals on stage, via easy-to-use controls on the M2R stereo body-pack receiver.The wireless UHF M2T Stereo Transmitter provides a choice of 100 selectable frequencies and is equipped with two XLR/¼” combo input connectors into which users can connect line-level inputs. While up to 10 complete M2 systems may be used on stage simultaneously, any number of M2R stereo receivers may be used on the same frequency with a single M2T stereo transmitter. These rugged systems are built to stand up to the inevitable bumps of life on the road, delivering clear, natural sound for touring and installed-sound uses.